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SDG
Precious Lord take my hand, lead me on, let me stand. Also known from Elvis Presley.
SDG
0:43 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Sopraan/Alt Treble 15 0 3 4 100%
Tenor/Bas Bass 14 0 3 4 100%
Bass Bass 12 0 2 3 45%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Sopraan/Alt Treble 15 0 3 4 100%
Tenor/Bas Bass 14 0 3 4 100%
Bass Bass 12 0 2 3 45%
 
When peace, like a river, attendeth my way. It is well with my soul. 't zij vreugde mijn deel is, (Joh. de Heer 264)
SDG
1:01 Est. Play
Time
22 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 11 1 1 6 100%
Tenor/Bass Bass 14 1 2 5 95%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 11 1 1 6 100%
Tenor/Bass Bass 14 1 2 5 95%
 
It is Fulfilled, hymn version, easier; more suitable for congregation to sing. Tune: J.A. Fleylinghausen (1670-1739), Text: George Ph. van Popta. Arrangement: Gertim (SDG)
SDG
0:48 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Part_1 Treble 17 0 4 5 97%
Part_2 Bass 17 0 3 5 97%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Part_1 Treble 17 0 4 5 97%
Part_2 Bass 17 0 3 5 97%
 
Legends of the Infancy, Christmas carol, MuseScore simulated organ.
SDG
0:45 Est. Play
Time
23 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon Bass 10 0 0 5 51%
Bass 9 0 0 5 100%
View all 20 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon Bass 10 0 0 5 51%
Bass 9 0 0 5 100%
Bass 9 0 0 5 100%
B♭
Clarinet		 Treble 13 0 3 5 100%
C
Trumpet		 Treble 13 0 3 5 100%
English
Horn		 Bass 15 0 0 5 100%
Flute Treble 13 0 3 5 100%
Oboe Bass 9 0 0 5 100%
Organ
LH		 Bass 9 0 0 5 100%
Organ
RH		 Treble 13 0 3 5 100%
Piccolo Bass 9 0 0 5 100%
Picolo Treble 13 0 3 5 100%
Soprano/Alto Treble 13 0 3 5 100%
Tenor/Bass Bass 14 0 0 5 100%
Voice Treble 13 0 3 5 88%
Treble 13 0 0 5 88%
Contrabassoon Bass 10 0 0 5 51%
Double
Bass		 Bass 10 0 0 5 51%
Pedal Bass 10 0 0 5 51%
pedal
Flute		 Bass 10 0 0 5 51%
 
Enigma variations, Nimrod, Eward Elgar, Lux Aeterna
SDG
3:44 Est. Play
Time
45 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto
I		 Treble 14 0 2 9 100%
Alto
II		 Treble 12 0 2 9 98%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto
I		 Treble 14 0 2 9 100%
Alto
II		 Treble 12 0 2 9 98%
Tenor
I		 Treble 14 0 2 7 95%
Soprano
II		 Treble 14 0 2 8 93%
Tenor
II		 Treble 12 0 2 9 93%
Bass
I		 Bass 12 0 1 9 91%
Soprano
I		 Treble 15 0 2 9 91%
Bass
II		 Bass 14 1 1 8 89%
 
In the bleak mid-winter, full score, Harold Darke, with MS-'organ' accompaniment. I made a score with separate pedal.
SDG
3:35 Est. Play
Time
78 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Choir Treble 14 0 1 6 66%
Tenor/Bass Bass 17 0 1 6 66%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Choir Treble 14 0 1 6 66%
Tenor/Bass Bass 17 0 1 6 66%
Organ Treble 16 31 1 5 63%
Pedal Bass 12 0 0 6 54%
Bassoon Bass 12 1 0 5 44%
Soprano Treble 10 0 1 6 22%
Tenor Treble 10 0 1 6 22%
 
24. Gib dich zufrieden und sei stille. Schemelli/Bach, inner voices: Gertim. BWV 460.
SDG
1:23 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor/Bass Bass 18 0 5 5 100%
Soprano/Alto Treble 16 0 3 5 96%
Contrabass Bass 13 0 3 5 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor/Bass Bass 18 0 5 5 100%
Soprano/Alto Treble 16 0 3 5 96%
Contrabass Bass 13 0 3 5 50%
 
Glorify Thy Name. Arrangement: Gertim (SDG)
SDG
2:13 Est. Play
Time
48 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 13 0 2 5 100%
Bass 17 0 2 5 100%
Alto Treble 4 0 0 1 8%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 13 0 2 5 100%
Bass 17 0 2 5 100%
Alto Treble 4 0 0 1 8%
 
Panis Angelicus, César Franck.
SDG
3:39 Est. Play
Time
61 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute Treble 20 6 6 6 100%
Pedal Bass 18 0 6 6 92%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute Treble 20 6 6 6 100%
Pedal Bass 18 0 6 6 92%
Organ Bass 12 6 3 5 80%
Harp Treble 21 39 5 2 60%
Bass 35 41 10 2 68%
Voice Treble 8 0 1 7 67%
Treble 8 0 1 7 67%
Treble 8 0 1 7 67%
Violoncello 11 0 2 8 59%
 
Abendlied, Bleib bei uns, denn es will Abend werden, Josef Rheinberger, opus 69, 3.
SDG
3:09 Est. Play
Time
49 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano
I		 Treble 10 0 1 4 94%
Soprano
II		 Treble 11 0 3 5 88%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano
I		 Treble 10 0 1 4 94%
Soprano
II		 Treble 11 0 3 5 88%
Tenore
II		 Treble 14 0 3 6 88%
Basso Bass 13 0 1 4 86%
Alto Treble 10 0 2 4 82%
TENORE
I		 Treble 9 0 1 5 76%
 
Wachet auf, ruft uns die Stimme, BWV 645.
SDG
3:57 Est. Play
Time
56 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute Treble 21 0 7 7 100%
Pedal Bass 21 0 6 3 99%
Violoncello Bass 10 0 0 9 48%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute Treble 21 0 7 7 100%
Pedal Bass 21 0 6 3 99%
Violoncello Bass 10 0 0 9 48%